The Lincoln Lawyer is a 2011 American legal thriller film adapted from the 2005 novel of the same title by Michael Connelly. The film is directed by Brad Furman, with the screplay writt by John Romano, and stars Matthew McConaughey as the titular lawyer, Mickey Haller. The film also stars Ryan Phillippe, Marisa Tomei, Josh Lucas, William H. Macy, and Bryan Cranston.
The story is adapted from the first of several novels featuring the character of Mickey Haller, who works in a chauffeur-driv Lincoln Town Car rather than an office. Haller is hired to defd the son of a wealthy Los Angeles businesswoman in an assault case. Details of the crime bring up uncomfortable parallels with a former case, and Haller discovers the two cases are intertwined.
Criminal defse attorney Mickey Haller works in LA County, California from the back of his black Lincoln Town Car, chauffeured by Earl Briggs. He typically works for low-d criminals including Eddie Vogel, leader of a biker gang. His ex-wife, Maggie McPherson, with whom he shares a daughter, is a district attorney who disapproves of his choice of clitele.
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Haller is unexpectedly hired to represt Louis Roulet, a wealthy Beverly Hills playboy and the son of real estate mogul Mary Windsor. Roulet is accused of brutally beating prostitute Regina Campo, and surprisingly, chose Haller specifically for the case. Haller and his investigator, Frank Levin, analyze photos and evidce and find similarities to a prior case where a prostitute was killed. Haller represted the defdant, Jesus Martinez, and due to the overwhelming evidce and in spite of Martinez's earnest proclamations of innocce, convinced him to plead guilty to avoid the death palty.
Haller visits Martinez, who becomes agitated wh he shows him Roulet's photo. Haller realizes that Roulet is likely the killer and that he chose Haller as counsel in order to bind Haller by attorney–clit confidtiality rules and keep him from talking about either case. His own hands tied, Haller tells Levin to investigate Roulet.
Roulet breaks into Haller's house and nonchalantly admits to committing the murder for which Martinez was convicted. He also makes veiled threats towards Haller's daughter. Later, Levin is found shot dead after leaving him a voicemail message claiming he found Martinez's ticket out of jail. Haller discovers the bullet that killed Levin matches his late father's rare .22 Colt Woodsman, which is missing from its box.
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Legally obliged to defd his clit, Haller ruthlessly cross-examines Campo and discredits her. He also secretly sets up a known prison informant, Dwayne Jeffrey DJ Corliss, to testify against Roulet with information on the previous murder. Haller is able to discredit DJ's testimony, getting Roulet's currt charges dismissed. However, wh Roulet is set free, the police arrest him immediately for the previous murder based on DJ's description.
Haller acquires a pistol from Earl for protection. Roulet's family gets him released due to lack of evidce and he goes to Maggie's home where he is confronted by Haller. Haller vows that he will not stop until Martinez is freed and Roulet is convicted for his crime; Roulet mockingly tells him he cannot guard his family all the time. The biker gang suddly arrives and brutally beats Roulet.
Maggie discovers Levin had found a parking ticket issued to Roulet near the murder victim's house, strong evidce against him. Upon arriving home, Haller discovers Roulet's mother, Mary Windsor, waiting inside. She shoots him with the Colt Woodsman, confessing that she murdered Levin. Wh Mary moves to shoot Haller again, he draws the pistol obtained from Earl and fatally shoots her.
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Martinez is released and the DA is seeking the death palty for Roulet. As Haller and Earl drive off, he is pulled over by Vogel and the biker gang, whose case he takes pro bono in gratitude for their help.
On Rott Tomatoes, the film holds an approval rating of 83% based on 177 reviews, with an average rating of 6.70/10. The site's critics conssus reads: It doesn't offer any twists on the predictable courtroom thriller formula, but with a charming Matthew McConaughey leading its solid cast, The Lincoln Lawyer offers briskly joyable tertainmt.
At Metacritic, the film has an average weighted score of 63 out of 100, based on 31 critics, indicating gerally favorable reviews.
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After watching a rough cut of the film on November 12, 2010, Michael Connelly, author of the book The Lincoln Lawyer, said:
The movie comes out March 18. A couple days ago I saw an unfinished cut of it and could not be happier. I thought it was very loyal to the story and the character of Mickey Haller. Matthew McConaughey nails him. Those who loved the book will love the movie, I think. Those who don't know the book will love it just the same. The casting and acting is really superb. Like I said, I could not be happier. I'm very excited and can't wait to see what fans of the book think.
Roger Ebert of the Chicago Sun-Times gave the film 3 stars out of a possible 4, saying, The plotting seems like half-realized stabs in various directions made familiar by other crime stories. But for what it is, The Lincoln Lawyer is workmanlike, gagingly acted and tertaining.I like movies about smart guys who are wise asses, and think their way out of tangles with criminals. I like courtroom scenes. I like big old cars. I like “The Lincoln Lawyer” because it involves all three, and because it matches Matthew McConaughey with a first-rate supporting cast, while so many thrillers these days are about a lone hero surrounded by special effects. People have words they actually say in this movie. After “Battle: Los Angeles, ” that is a great relief.
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Let's start with the big old car. It's a Lincoln, and a lawyer named Mick Haller (McConaughey) does most of his work out of the back seat. Apparently he drove it himself until he was socked with a DUI; given how much he drinks in the film, it's amazing he remembered where he parked it. Now he has a chauffeur (Laurence Mason) who ferries him around to the Los Angeles dealers, hookers, bagmen and low-lifes who are his clientele. Mick's specialty is getting people off, sometimes in a perfectly legal way.
There were decades in the movies when heroes drove new cars, unless it was a period picture. Car makers used to pay for product placement. We saw Mustangs, GTOs, Chargers. But in recent years, action and thriller heroes have driven mostly classic cars, or oddballs like Hummers. The reason for this is obvious: Modern cars all look mostly the same, and none of them look heroic. Can you imagine James Bond in a Camry? My Ford Fusion gets good mileage, but Mick Haller would just look silly doing business out of the back seat. The only new cars still popular in movies are big black SUVs with tinted windows, which usually prowl in packs.
Anyway, Haller is a street-wise defense attorney with connections who knows how to collect and invest prudent envelopes full of cash. So connected is this guy that a motorcycle gang materializes more or less when he needs one. One day a bondsman (John Leguizamo) comes to him with a higher-class client than usual. Louis Roulet (Ryan Phillippe) is a rich kid from Beverly Hills accused of beating up a woman. He's clean-cut, looks Mick in the eyes, seriously insists he is innocent and wants a trial to prove it.
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Mick senses there is something fishy. So do I. If Roulet has unlimited funds and really is innocent, why is he hiring a guy who works out of the back seat of a car? I've seen a lot of crime movies and read my Raymond Chandler and Ross Macdonald. I know, even if Mick doesn't, that he's being used in some way.
Let's not get into the details. Details are interchangeable in movies like this. What you want is a laconic wise guy in the lead, and McConaughey does a nice line in those. You need a good dame in the picture. Marisa Tomei plays his ex-wife, courtroom opponent and (still) friend. When Tomei walks into a movie, it's like the Queen came into the room. I want to stand up. I know why Lady Gaga wants Marisa to play her in a biopic. It's not because they look like sisters. It's because every woman, and many men, would love to have a smile like Marisa Tomei's.
We also meet Mick's opposing attorney (Josh Lucas); a former client he plea-bargained into prison (Michael Pena); a cop (Bryan Cranston) who considers him a shyster and, most valuable, Mick's private investigator (William H. Macy). The P.I. role isn't very big, but Macy makes it distinctive; he brings it a quirky familiarity that creates a history between the two men without a lot of setup. You care for the hard-working sap.
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All of this comes together in a satisfactory way. It isn't brilliant, it's far from foolproof, and the second appearance of the motorcycle gang technically qualifies, I think, as a miracle. The Law of Seemingly Unnecessary
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